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the Vietnamese mung bean sweet soup: split beans simmered soft with pandan and rock sugar, loosened to a pourable pudding, and served warm or over crushed ice under a lid of salted coconut cream
Origin: Vietnam
From the journey of Mung Bean.
Chè is not one dish but a whole category, the sweet soups and puddings of Vietnam, of which there are dozens and which are sold from glass-fronted carts, from market stalls, and from shops that make nothing else. Chè đậu xanh is amongst the plainest and the most commonly made: mung beans cooked down with sugar until they are soft enough to eat with a spoon but still loose enough to pour, scented with pandan, and finished with a thick coconut cream that has been deliberately salted, so that the dish arrives sweet, rich, and faintly saline all at once. That salting is a Vietnamese habit worth noticing, since it is what stops chè from cloying and it is applied to almost the entire category. The mung bean sits at the centre of Vietnamese sweet cooking in a way it does nowhere in India: đậu xanh, the green bean, fills the Tết rice cake bánh chưng, is pressed into the little dry cakes of Hải Dương that are the standard gift to take with tea, and colours a dozen other chè. Served warm it is a winter dish and a food for the unwell; poured over crushed ice with coconut cream it becomes one of the standard hot-weather sweets of Saigon, eaten in the afternoon in the heat.
Pandan is sold frozen by Southeast Asian grocers and is much better than any extract; if you cannot get it, a strip of lime zest is a poor but acceptable stand-in. Rock sugar gives a cleaner sweetness than granulated and is the traditional choice. The same beans, cooked drier and mashed smooth with sugar, become the filling for bánh chưng at Tết and for the pressed bánh đậu xanh of Hải Dương. Chè keeps three days refrigerated and is eaten cold as readily as warm, but make the coconut topping fresh, since it separates on standing. For chè đậu xanh phổ tai, add a handful of soaked seaweed strips in the last five minutes, which is common in the north and gives a slippery contrast.
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