Zucchini tempura

Japanese tempura of zucchini in a feather-light batter

Origin: Edo Period Japan

From the journey of Zucchini.

Tempura's origin is one of the most precise cultural transfer stories in culinary history. Portuguese Jesuit missionaries arrived in Japan in the 1540s and brought with them a Lenten tradition of frying vegetables and seafood in batter during the quatuor anni tempora; the 'four seasons' fasting periods of the Catholic calendar. The technique was adopted by Japanese cooks in the port cities of Nagasaki and Edo (modern Tokyo) and then transformed, with the precision and refinement that characterise Japanese culinary evolution, into something entirely distinct from its Portuguese source: the batter made ice-cold to inhibit gluten development, mixed minimally to preserve a rough, uneven texture that fries into a transparent, feather-light lacework rather than a thick coating, and cooked in refined oil at a precisely maintained temperature that produces a crust so light it barely qualifies as a crust. The Portuguese original was a rough country technique; the Japanese refinement is a statement of mastery. Kabocha squash has always been among the classic tempura vegetables: its sweet, dense flesh contrasting with the ethereal batter. Zucchini, a later addition to the Japanese kitchen, is a natural extension of this tradition: its high water content requires the oil temperature to be correct and the batter to be very light, but when done well, the result (translucent, crisp, with the gentle sweetness of the zucchini showing through the almost invisible coating) is one of the most elegant fried preparations in any cuisine.

Ingredients

Main

  • 400 g zucchini (about 3 medium), cut into batons 8cm long and 1cm wide, or into diagonal slices 1cm thick

Batter

  • 120 g plain flour (not strong bread flour, low-protein flour is better)
  • 1 egg yolk
  • 180 ml ice-cold water (put the measured water in the freezer for 15 minutes before using)

Frying

  • vegetable or sunflower oil, for deep frying

Tentsuyu

  • 200 ml dashi (or diluted ready-made dashi powder in water)
  • 3 tbsp mirin
  • 3 tbsp soy sauce (usukuchi light soy sauce if available)
  • 2 tbsp finely grated daikon radish
  • 1 tsp finely grated fresh ginger

Method

  1. Make the tentsuyu dipping sauce: combine dashi, mirin, and soy sauce in a small saucepan and bring just to a simmer. Remove from heat. The sauce should be savoury, slightly sweet, and fragrant. Serve at room temperature with the grated daikon and ginger stirred in (or provided separately for guests to add to taste).
  2. Prepare the zucchini: cut into batons or diagonal slices no thicker than 1cm. Pat the surfaces completely dry with kitchen paper; surface moisture is the enemy of crisp tempura. Any water on the surface will cause the batter to steam rather than fry, producing a soft coating.
  3. Heat the oil in a deep, heavy pan to 175–180°C. Use a thermometer; temperature precision matters more in tempura than in almost any other frying preparation. Too low and the batter absorbs oil and becomes heavy; too high and the batter browns before the zucchini cooks through.
  4. Make the batter at the last possible moment, immediately before frying. In a cold bowl (chill it in the freezer for a few minutes), quickly mix the egg yolk and ice-cold water with chopsticks or a fork; just 2–3 stirs. Add the flour all at once and mix with 4–5 rough strokes only. The batter should be lumpy, streaky, and barely combined; this is correct. Under-mixing is better than over-mixing.
  5. Dip each zucchini piece into the batter, letting excess drip off, then lower gently into the oil. Fry in small batches of 4–5 pieces; never crowd the pan. Cook for 2–2.5 minutes, turning once, until the batter is pale gold and just barely set; not dark, not deeply golden. Remove with a wire skimmer and drain briefly on a wire rack (not kitchen paper, which traps steam). Serve immediately.

Notes

The choice of oil affects flavour significantly: neutral vegetable oil is standard; sesame oil blended at 10% with vegetable oil gives a very slightly nutty quality favoured in some traditional establishments. The batter can be enriched with a spoonful of vodka (which evaporates faster than water, further reducing gluten development). Zucchini flowers dipped in plain unseasoned tempura batter and fried for 60 seconds are one of the most spectacular uses of this technique.

The Gastrographer

The Gastrographer

Mapping Culinary History

To explore — select an ingredient below.

Journey Point Map Key

Ingredient originTrade or transit route
Became a culinary stapleColonial / trade control
c. 1975
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17 of 17 stops
1975 CE
8000 BCE160018801975
Zucchini

Zucchini

Cucurbita pepo var. cylindrica

VegetablesCucurbitaceae

🌍Origin

Mesoamerican Highlands, Oaxaca & Southern Mexico — c. 8000 BCE

🌱Domestication

The zucchini is, in the strictest sense, a New World plant given an Old World form, and its deep ancestry lies far from the kitchen gardens of Lombardy with which it is now identified. Its wild forebears belong to Cucurbita pepo, a squash first taken into cultivation in the highlands of Mesoamerica around 8000 BCE, amongst the earliest of all the domesticated plants of the Americas. Rind fragments and charred seeds recovered from the dry cave sites of the Oaxaca valley, notably Guilá Naquitz, place squash alongside the bottle gourd at the very beginning of American agriculture, a thousand years and more before maize was tamed. The earliest growers did not prize the plant for its watery flesh, which in the wild forms was thin and bitter, but for its seeds, which are rich in oil and protein and could be dried and stored against the lean season, and for the hard, durable rinds of the mature fruit, which served as bowls, scoops, and containers. Over the following millennia the cultivators of Mesoamerica selected this single, endlessly plastic species into a great range of forms, from sweet autumn pumpkins to acorn and crookneck squashes, and squash took its place as the third member of the Three Sisters, the milpa polyculture in which it was sown together with maize and beans. The arrangement was a masterpiece of agronomic logic: the maize stood tall as a living trellis, the beans climbed it and fixed nitrogen into the soil, and the broad, sprawling leaves of the squash shaded the ground between, suppressing weeds and holding the moisture in the earth. Yet the slender green vegetable we now call zucchini did not exist in the Americas at all. It was bred from C. pepo stock only after the plant crossed the Atlantic, the work of European, and above all Italian, gardeners who selected for a long, thin-skinned, mild-fleshed fruit eaten immature, before the seeds hardened and the rind toughened. So thoroughly was the squash naturalised in its new home that one of its parts was embraced almost at once: the golden blossom, the fiore di zucca, was prized long before the modern fruit was perfected, and within a generation of the squash reaching Italy the flowers were being stuffed with ricotta and anchovy, sheathed in a light batter, and fried in the kitchens of Rome and Naples, in a preparation that has scarcely altered to this day.

Global Voyage

The squash crossed the Atlantic with the first returning ships of the Columbian Exchange, reaching the Iberian Peninsula in the opening decades of the sixteenth century along with maize, beans, tomatoes, and chillies. In Spain its welcome was cool: the Cucurbita pepo squash was grown more as a curiosity, an ornament, or a fodder for livestock than as a dish for the table, and the Spanish, well supplied with their own gourds, were slow to take it into their cooking. The more receptive kitchens lay further east, in the lands of the Ottoman Empire and the eastern Mediterranean, where the summer squash was embraced with an enthusiasm that Iberia never showed. Ottoman cooks took kabak into the great repertoire of dolma and meze, hollowing and stuffing it with spiced rice and herbs, and the cooks of Ottoman Syria and the Levant developed the pale, slender, tender-walled variety they called kousa, the foundation of kousa mahshi, the stuffed marrow that became an emblem of Levantine home cooking. Across the Aegean, Greek cooks grated it into the fritters called kolokithokeftedes, and in the Maghreb it slipped into the tagine and the couscous pot. It was in Italy, however, that the squash was most thoroughly transformed, and it was the southern kitchens that moved first. Neapolitan cooks sliced and fried the elongated zucca lunga in olive oil and steeped it in vinegar and mint in the manner called alla scapece, a technique descended from the ancient Roman practice of preserving fried fish and vegetables in acid, whilst in Rome the blossoms were battered and fried in a tradition rooted in the Jewish quarter. From these southern beginnings the cultivation of the long summer squash travelled up the peninsula through Liguria and into the Po valley, where it met the patient, decades-long work of selection that would at last produce the vegetable we know. The modern zucchini was born not in the milpa of Mexico but in the kitchen gardens of Lombardy: the market gardeners of Milan bred, over many seasons, a consistently slender, dark-green, thin-skinned cultivar at its sweetest and most tender when cut young, and by approximately 1880 this variety was being listed in Milanese seed catalogues under the name zucchino, 'little gourd', the diminutive plural of which, zucchini, would conquer the English-speaking world. From Lombardy the new cultivar set out on its final voyages. Italian emigrants carried its seed across the Atlantic to the United States, to Brazil, and to Australia in the great migrations of the late nineteenth and twentieth centuries, planting it in the market gardens of Brooklyn, the interior of São Paulo, and the truck farms of Victoria, and giving the English-speaking New World its word, zucchini. The same vegetable reached Britain by an entirely separate path, through French rather than Italian channels: French gardeners had named the long green squash courgette, the diminutive of courge, and it was under that French name that Elizabeth David introduced it to British readers after the Second World War. This double transmission, Italian to the Americas and French to Britain, is the reason a single plant from Oaxaca is eaten today under two different names on opposite shores of one ocean.

🍽Modern Culinary Role

Zucchini belongs above all to the great tradition of cucina povera, the resourceful poor kitchen of the Italian south and the eastern Mediterranean, where its very abundance was at once its virtue and its difficulty. A single healthy plant fruits prolifically through the whole of summer, setting far more than any household can eat before each tender green finger swells into a watery, club-sized marrow and loses its delicate flavour, and it is this relentless surplus that has driven cooks to such inventiveness with it. The vegetable is sliced and slow-fried with garlic and basil into a sauce for pasta, as in the Neapolitan pasta alla Nerano with its melting Provolone del Monaco; it is puréed into the silky basil-scented crema di zucchine of Lombardy; it is grated and bound with feta, dill, and mint into Greek fritters; it is stuffed in the Levantine and Ottoman manner; and, where all else fails, it is grated into the sweet, spiced quick bread with which American cooks dispose of the August glut. What is most remarkable about the zucchini's long journey is that it was genuinely reinvented in each place it arrived rather than merely translated, transformed every time according to the inner logic of the local kitchen: stuffed and simmered in the Levant, fried and soured in Naples, slow-stewed into ratatouille in Provence, battered into feather-light tempura in Japan, and tempered with cumin and mustard seed into a dry sabzi in the cities of northern India. Today it is grown on every inhabited continent and ranks amongst the most widely cultivated vegetables on earth, with great commercial production in China, India, Turkey, and throughout the Mediterranean basin, and it is prized in the modern kitchen for its lightness, its low calorie count, and its willingness to take on almost any flavour. Yet its cultural heartland remains where it was perfected, in the kitchen gardens of Lombardy and the trattorie of Rome, the place where a squash from the highlands of Oaxaca was given a diminutive Italian name and sent out to the rest of the world as though it had always been Italian.

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