Mosbolletjies

Cape Dutch grape must bread rolls: the bread of the South African wine harvest, leavened with the vineyard itself

Origin: Stellenbosch, Western Cape, South Africa

From the journey of Grapes.

Mosbolletjies, from Afrikaans: mos (grape must) and bolletjie (small ball or bun), are the traditional harvest bread of the Cape Winelands, made each autumn when the must runs freely from the press and the air of Stellenbosch, Franschhoek, and Paarl carries the sharp, sweet scent of fermenting grapes. The bread's leavening agent is the must itself: fresh, unfermented or lightly fermenting grape juice carries wild yeasts from the vineyard that, when incorporated into a dough, provide a slow, fragrant rise. The result is a bread that could only be made at harvest time, in a wine-growing region, and that tastes of the place that made it. The Dutch East India Company established the Cape Colony in 1652, and within three years Jan van Riebeeck had planted the first vines at the foot of Table Mountain. When French Huguenot refugees, expelled from France after the revocation of the Edict of Nantes in 1685, arrived at the Cape in 1688, they brought with them a century of accumulated French winemaking knowledge and established the farms of Franschhoek (the French Corner) that would define Cape viticulture for the next three centuries. By the late 18th century, the Constantia estate's sweet wine was one of the most celebrated in the world, exported to London, Amsterdam, and the courts of Europe, drunk by Napoleon on St. Helena, mentioned by Jane Austen in Sense and Sensibility. Mosbolletjies are the domestic, kitchen-table expression of this grand wine heritage: the bread baked in farm kitchens while the winemaker tended the fermentation vessels. The rolls are flavoured with aniseed: a distinctly Dutch addition, reflecting the spice traditions of the Netherlands and its East India Company heritage. The combination of grape must sweetness, yeasty fermentation, and anise creates a flavour that is immediately identifiable as Cape Dutch and has no precise equivalent in any other baking tradition. The rolls are baked touching each other in a large tin, rising together in the oven and pulling apart at the table; this is not incidental but deliberate, a style of bread that requires communal tearing, suited to the long, convivial table of the Cape farm kitchen. In the Boland wine region today, mosbolletjies are still made at harvest time by farming families who have made them for generations. The recipe is one of the most direct links between modern South African baking and the 17th-century Dutch colonial kitchen; a bread whose character is inseparable from the landscape, the season, and the annual rhythm of the vine.

Ingredients

Dough

  • 600 g strong white bread flour
  • 300 ml fresh grape must or dark unsweetened grape juice, warmed to 37°C
  • 7 g active dry yeast (one standard sachet)
  • 3 tbsp caster sugar
  • 2 tsp aniseed, lightly crushed in a mortar to release their oil
  • 60 g unsalted butter, melted and cooled
  • 1.5 tsp fine salt

Glaze

  • 1 egg, beaten, for glazing

Method

  1. Warm the grape must or juice to 37°C (body temperature; it should feel warm but not hot on your wrist). Add the sugar and yeast, stir briefly, and set aside for 10 minutes until the surface is foamy and active. If the yeast does not foam, it is not active; start again with fresh yeast.
  2. Combine the flour, salt, and crushed aniseed in a large bowl and mix well. Make a well in the centre.
  3. Pour the yeast mixture and melted butter into the well. Mix with a wooden spoon until a rough dough forms, then turn out onto a lightly floured surface and knead for 10 minutes until the dough is smooth, elastic, and slightly tacky. It should spring back when pressed.
  4. Place the dough in a lightly oiled bowl, cover with a damp cloth or cling film, and leave in a warm place for 1.5 hours until doubled in size.
  5. Knock back the dough and divide into 18 equal pieces (approximately 50g each). Roll each piece into a tight, smooth ball by cupping your hand over the dough on the work surface and rolling in a circular motion with firm pressure.
  6. Arrange the balls touching each other in a large lined baking tin or two smaller tins; they should be placed in a grid, just touching, so that they rise into each other and form a pull-apart sheet of rolls. This is the traditional mosbolletjies format.
  7. Cover and leave for a second rise of 45 minutes to 1 hour until noticeably puffed and the rolls are pressing firmly against each other.
  8. Preheat the oven to 190°C (375°F). Brush the rolls generously with the beaten egg glaze. Bake for 20–25 minutes until deep golden-brown and the rolls sound hollow when tapped on the base.
  9. Remove from the oven and allow to cool in the tin for 5 minutes, then turn out onto a wire rack. Serve warm, tearing apart at the table, with generous amounts of salted butter.

Notes

Mosbolletjies are best eaten on the day they are baked; warm from the oven with cold salted butter. They stale more quickly than plain bread due to the grape sugar content. Day-old mosbolletjies are excellent split and toasted. For the most authentic version, use genuinely fermenting fresh must (the must that has been fermenting for 1–2 days, just beginning to develop some CO2 and yeast activity) in place of commercial yeast; reduce the commercial yeast to 3g if doing this, as the wild yeast in the must will supplement it. The aniseed is the characteristic Cape flavour and should not be omitted or reduced.

The Gastrographer

The Gastrographer

Mapping Culinary History

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Journey Point Map Key

Ingredient originTrade or transit route
Became a culinary stapleColonial / trade control
c. 1976 CE
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16 of 16 stops
1976 CE
8000 BCE500 CE1700 CE1976 CE
Grapes

Grapes

Vitis vinifera

FruitsBerries

🌍Origin

The Caucasus region, between the Black Sea and Caspian Sea (modern-day Georgia and Armenia). — c. 8000 BCE

🌱Domestication

The grape is amongst the most consequential plants ever to pass into human cultivation, for from a single domesticated species came not only a fruit but an entire civilisation of wine, with all its attendant religion, commerce, and art. Vitis vinifera, the wine grape, was domesticated from its wild ancestor Vitis vinifera subspecies sylvestris in the South Caucasus, the mountainous country between the Black Sea and the Caspian that today forms Georgia, Armenia, and the borderlands of Azerbaijan and eastern Anatolia. The wild vine is dioecious, bearing male and female flowers on separate plants, so that only some vines set fruit; the great achievement of domestication was the selection of hermaphroditic vines that pollinate themselves and crop reliably, together with the choice of plants bearing larger, sweeter, juicier berries. Because the grapevine is propagated from cuttings, every prized variety could be cloned and carried, and the cultivars that resulted, from the pale Sultana to the dark Shiraz, were perpetuated unchanged across millennia and thousands of miles. The antiquity of the Caucasian tradition is documented in the soil itself. Archaeological sites in eastern Georgia have yielded fragments of large clay fermentation vessels, the qvevri, stained with tartaric acid, the chemical fingerprint of grape juice, alongside grape pips and pressed skins, and the chemical evidence of deliberate winemaking reaches back to around 6000 BCE, with signs of wild grape use pushing the human relationship with the vine to roughly 8000 BCE. This makes Caucasian winemaking, in all likelihood, the oldest continuously practised fermentation tradition on earth, and the qvevri method, in which whole crushed clusters are buried in earthenware to ferment slowly underground, is still followed in Georgia today, essentially unchanged across eight thousand years. V. vinifera proved extraordinarily plastic under cultivation, diverging into the many thousands of named varieties that now exist, table grapes bred for sweetness and good keeping, drying grapes for raisins and sultanas, and the great wine grapes whose names, Cabernet Sauvignon, Pinot Noir, Tempranillo, Riesling, Nebbiolo, define the fine-wine world. The fruit is unique amongst the great domesticates in the sheer breadth of its uses, for it is eaten fresh, dried into raisins, currants, and sultanas, pressed into juice, fermented into wine and distilled into brandy, boiled down without fermentation into the sweet molasses the Persians call shireh and the Turks pekmez, soured into vinegar and verjuice, and even valued for its broad, pliable leaves, which are wrapped about rice and herbs across the whole of the eastern Mediterranean. No other plant has given the human table so many distinct things from a single fruit.

Global Voyage

From its Caucasian cradle the cultivated vine spread first into the great river civilisations of the Near East. By around 3000 BCE grape growing and winemaking had reached Mesopotamia and the Nile Delta of Egypt, where viticulture became an art of the elite; Egyptian tomb paintings at Saqqara and Luxor depict the treading of grapes, the sealing of amphorae, and the labelling of wine jars with vintage, vineyard, and maker, the earliest wine-labelling system in the world. It was the Phoenicians, however, the great seafaring merchants of the Levantine coast at Tyre and Sidon, who turned the grape into a Mediterranean crop. From around 1500 BCE they carried vine cuttings, winemaking knowledge, and the Levantine habit of cooking with the vine to every port they founded, to Carthage, to Cyprus and Sardinia, to Marseille and to Cadiz, planting the seed of viticulture along the entire northern shore of Africa and the southern coast of Europe. The Greeks inherited this Phoenician inheritance and raised it into philosophy, religion, and social ritual, organising the symposium around diluted wine and making Dionysus one of the central figures of their pantheon; Greek wine, shipped in distinctive amphorae, travelled the length of the Mediterranean. Rome then transformed Greek wine culture into an imperial agricultural system, and it was the legions and colonists of Rome who carried the vine to the lands that would become its greatest homes. Roman viticulture planted the vineyards of Gaul, Hispania, the Rhine and the Moselle, and even Britain, and the agronomists Columella and Pliny the Elder documented hundreds of grape varieties and the techniques of their cultivation. The great wine regions of modern France, Spain, Germany, and Italy are, in the most direct sense, the descendants of Roman plantings. The rise of Islam after the seventh century CE recast the grape's role across a vast swathe of its range. Where the Quranic prohibition of khamr, intoxicating drink, suppressed winemaking, the grape did not vanish but was transformed into a food, and the Arab agricultural revolution carried drying and table varieties across North Africa, into Al-Andalus, and along the trans-Saharan caravan routes into the pre-Saharan oases of Morocco, where the golden raisins of the Draa Valley became a prized commodity. The grape became raisins and currants, molasses and verjuice, and the vine leaf became a cooking vessel; the Ottomans later gathered these traditions and spread the stuffed vine leaf, the dolma, across an empire that stretched from Hungary to Yemen. The final and greatest dispersal was the oceanic one of the colonial age. Spanish missionaries carried the vine to Mexico and South America and up the Pacific coast; the Dutch East India Company planted the first vines at the Cape of Good Hope within three years of founding the Cape Colony in 1652, and French Huguenot refugees reinforced the young Cape winelands in 1688. German Lutheran settlers fleeing Silesia and Prussia planted Shiraz in South Australia's Barossa Valley in the 1840s, on vines that, having escaped the phylloxera blight that devastated Europe, are amongst the oldest in the world today. French enologists introduced Malbec to the high vineyards of Mendoza in Argentina in the 1850s, and in the same decade Ephraim Wales Bull bred the hardy Concord grape from native American Vitis labrusca stock in Massachusetts, giving the United States a grape culture of its own. By the late twentieth century the vine had circled the globe, and the Judgement of Paris of 1976, in which California wines bested the grand crus of Bordeaux and Burgundy, confirmed that the grape had made new homelands wherever the climate would receive it.

🍽Modern Culinary Role

The grape stands amongst the most economically important crops in the world, cultivated on roughly 7.5 million hectares across every inhabited continent, and it is unrivalled in the diversity of the things it yields from a single fruit. It is eaten fresh as a table grape, dried into raisins, sultanas, and currants, pressed into juice, fermented into wine and distilled into brandy, grappa, pisco, and arak, boiled down into the sweet molasses of pekmez and shireh, soured into vinegar and pressed unripe into verjuice, and its broad leaves are brined and wrapped about rice and meat from Greece to Iran. Wine alone constitutes a global industry worth many hundreds of billions, and the names of grape varieties and the regions that grow them, Bordeaux and Burgundy, Rioja and the Mosel, the Barossa and Mendoza and Napa, have become a language of place and prestige understood the world over. No other fruit has generated a comparable body of cultural, religious, philosophical, and culinary literature. The grape and its wine sit at the symbolic heart of several of the world's great traditions: the Eucharist of Christianity, the Kiddush of Judaism, the ecstatic religion of the Greek Dionysus, and the legal discourse of Islam concerning the prohibition of intoxicants. In Persian poetry the grape and the cup are amongst the most enduring of all images, appearing in countless verses, most famously the Rubaiyat of Omar Khayyam, as metaphors for spiritual longing, earthly beauty, and divine mystery, and the vine is named in the Hebrew Bible more often than any other plant. In the kitchen the grape ranges from the rustic to the refined, from the harvest breads leavened with fresh must, the schiacciata all'uva of Tuscany and the mosbolletjies of the Cape, to the great wine-braised dishes of the European table, coq au vin and boeuf bourguignon, in which the fermented juice of the grape becomes not a flavouring but the very medium of the cooking. Few plants have shaped human ritual, commerce, and appetite so completely.

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