Moretum

Roman garlic and herb paste: from the ancient poem that is also a recipe

Origin: Ancient Rome

From the journey of Garlic.

Moretum is one of the most remarkable documents in culinary history: a Latin poem of 124 lines, attributed in antiquity to Virgil but now generally thought to be by an unknown author of the 1st century BCE or early CE, that describes in extraordinary narrative detail the morning routine of a Roman peasant farmer named Simylus. Before going out to work his fields, Simylus grinds a paste of garlic, fresh herbs, hard cheese, salt, oil, and vinegar in a stone mortar to eat with bread. The poem is simultaneously a recipe and a social portrait (the only surviving literary account of what an ordinary working Roman ate for breakfast) and it is written with a poet's precision and a cook's eye for the physical reality of making food by hand. The paste Simylus makes is the direct ancestor of pesto: raw garlic pounded first to a paste, then herbs worked in, then cheese crumbled through, then oil and vinegar beaten in to emulsify the whole. The mortar technique (grinding raw garlic to an absolute paste before incorporating the other ingredients) is also the founding technique behind skordalia, aioli, and toum. All descend from the same ancient Mediterranean tradition of pounding garlic to release its alliins and then emulsifying it with fat. The poem's famous phrase, fessaque dextera, 'his right hand grows weary'; speaks with honest humour to the sheer physical labour of making this properly in a stone mortar. There are no shortcuts in ancient cooking. The herbs Simylus uses are specified in the poem: rue (ruta graveolens; bitter, citrusy, medicinal, beloved of Roman cooks and now largely absent from modern kitchens), parsley, coriander, and celery; specifically the pale inner leaves of wild celery, which have an intensity that cultivated celery leaf lacks. Walnuts or pine nuts are sometimes mentioned in scholarly interpretations of the poem as optional additions for body and richness. The cheese is a fresh, salty sheep's milk curd: the Roman equivalent of fresh pecorino or ricotta salata. Nothing in the ingredient list is complicated or expensive; everything is the produce of a small farm and a kitchen garden. Moretum was almost certainly eaten across the Roman world wherever legions and settlers carried their food traditions; in Britain, Gaul, the Iberian provinces, the Eastern Mediterranean, and North Africa. As a preparation it sits at the precise origin point of a dozen modern garlic sauces and herb pastes, connecting the kitchens of contemporary cooks directly to a Roman farmstead of two thousand years ago. To make it is to make something that a man named Simylus made before going to work on a cold morning, and the poem is there to tell you exactly how.

Ingredients

Garlic base

  • 4 large cloves garlic, peeled
  • 0.5 tsp coarse salt

Cheese

  • 50 g fresh sheep's milk cheese, pecorino fresco, ricotta salata, or fresh feta (crumbled)

Nuts

  • 30 g walnut halves (historically grounded alternative to pine nuts)

Herbs

  • 15 g flat-leaf parsley, leaves picked (roughly a small bunch)
  • 10 g fresh coriander, leaves and fine stems (roughly a small bunch)
  • 4 sprigs fresh rue, ruta graveolens (optional, from herb gardens; bitter, citrusy, medicinal character; use sparingly)
  • 3 stalks celery inner pale leaves, the tender yellow-green leaves from the heart of a celery head

Emulsion

  • 3 tbsp extra virgin olive oil

Acid

  • 1 tsp red wine vinegar

To serve

  • Good rustic bread, sourdough, a dense white loaf, or flatbread, to serve

Method

  1. Place the peeled garlic cloves in a large stone mortar with the coarse salt. Pound with the pestle, working in slow circular grinding strokes, until the garlic is reduced to a smooth, wet, utterly homogeneous paste with no fibres remaining. Take your time here; this is the foundation of the paste and it must be completely smooth. The salt is your abrasive; the garlic must become almost liquid.
  2. Add the rue leaves if using, then the parsley, coriander, and celery leaves to the mortar. Work these into the garlic paste by pounding and rotating; the herbs will release their green juices into the garlic. Continue until the herbs are thoroughly broken down and absorbed into the paste. The mixture will turn a vivid, fragrant green.
  3. Add the walnut halves and crumble the sheep's cheese into the mortar. Continue pounding and working the mixture until the nuts and cheese are fully incorporated and no large pieces remain. The paste will become denser and slightly drier as the cheese and nuts absorb the herb juices.
  4. Add the olive oil in a slow, thin stream while working the pestle or stirring vigorously with a spoon; as you would beat oil into an aioli or skordalia. The oil should begin to emulsify into the paste rather than sitting on the surface. Add the red wine vinegar and continue working until everything is fully combined into a unified, thick, spreadable paste.
  5. Taste the moretum. Adjust salt. The flavour should be intensely garlicky, herbaceous, slightly bitter from the celery and rue, sharp from the vinegar, and rich from the cheese and oil. It should be confrontational in the best possible way; this is peasant food of the most honest kind.
  6. Transfer to a small bowl or simply eat directly from the mortar as Simylus would have; spread thickly on rustic bread. Serve immediately with good bread and nothing else required.

Notes

The poem Moretum can be read in full in any edition of the Appendix Vergiliana: the collection of minor Latin poems attributed, often incorrectly, to Virgil. The recipe-within-a-poem structure is unique in classical Latin literature; no other ancient text gives us this quality of detail about the daily food of an ordinary person. Making moretum is an act of historical re-enactment, but it is also genuinely delicious. Rue is worth sourcing from a kitchen herb garden if possible; its flavour is irreplaceable and gives the paste its specifically ancient, medicinal-herbal character. Omit it and the dish is still excellent; include it and you are tasting something that has not changed in two thousand years.

The Gastrographer

The Gastrographer

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